@SeanPavone
Le Marche: the new Tuscany has already arrived (and it goes by its own name)
My mother was born in Pesaro, and her mother came from Urbino, as her family had for a thousand generations. I passed my childhood summers within the stone walls of my grandmother’s palazzo and along the same streets where Raphael once walked, among silent portraits of Renaissance ancestors and books on the Duchy of Montefeltro. On Le Marche, I am not objective, and that is precisely why I am writing about the region now: The Aficionados covered it in May, Italia Squisita in April, and Italy’s most reserved region is quietly entering the international circuits of cultured travel. An editorial on the land that does not shout.
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Ten ways to make breakfast special (and not only on the weekend)
A special breakfast does not depend on the free time of the weekend; it depends on the attention we bring to it. From east light to the wheel-thrown ceramic cup, from the Viennese tray to the linen napkin, this guide gathers ten bio-architecture gestures for the home that turn the first fifteen minutes of every weekday into a ritual, even one that lasts only a few minutes.
Where the camera stood: another way to travel
Some archives do more than record where a film was shot; they place the original frame beside a photograph of the same spot as it looks today. From Davinotti in Italy to ReelStreets in the United Kingdom, and from L2TC in France to Scouting NY, these tools suggest a different way to plan a trip: a few stops, chosen shot by shot, and observed with the eye of someone who notices the details.
Vienna, Schiele, and Rubens: how I put the pieces of my memory back together
A return to Vienna to say goodbye to Erni Mangold becomes a journey into the objects that describe us. From Egon Schiele's personal display cabinet to the Rubens drawings at the Albertina, Isabella Goldmann explains why a true souvenir is bought only for love, and why those who travel with their senses wide open bring home colored tiles for the mosaic of our memory.
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